Cosima von Bonin’s work was featured prominently in last year’s documenta 12 in Kassel, Germany. Her following exhibition ROGER AND OUT curated by Ann Goldstein at MOCA in Los Angeles was the artist’s first large-scale institutional …
Zurzeit nimmt sie an der documenta 12 teil sowie den Skulptur Projekten Münster. Nebenbei hat die auch als Dozentin tätige Rosler knapp ein Dutzend Bücher über Kunst und Kultur veröffentlicht, unter ihnen: „Decoys and Disruptions: …
Vatican at the Venice Biennale?; Tensions Rise over Kippenberger in South Tyrol; French Artists Raise Issues about Palais de Tokyo; Documenta 12 Chef Gets Cooked by Critic.
He recently collaborated with Andrea Geyer, Sharon Hayes, Ashley Hunt, and Katya Sander on the project 9 Scripts from a Nation at War for documenta 12. From 1999 to 2003, his projects with Julia Meltzer centered on state secrecy and the …
Gerhard Richter, Betty (La fille du peintre), huile sur bois,1970. Kassel, Documenta 12, 27 juillet 2007, 18h15.
He has also authored “Rethinking Marxism” (2008), Documenta 12 Magazine, Kassel (2007), “Ante 5,” Russian Art in Translation, USA (2007), “Maska” Performing Arts Journal (Winter 2007), “A Conversation on Education as a Radical Social …
2007 - documenta 12, Kassel - Apartheid: The South African Mirror, Centre de Cultura Contemporania de Barcelona, Spain. # Apresentado na Documenta de Kassel de 2002 e 2007, XI e XII, - At Documenta 2002 two projects were shown: …
.ack-online.de posted a photo:. documenta 12 |. Foto documenta 12 Kassel 2007 www.helloKassel.com.
.ack-online.de posted a photo:. documenta 12 |. Foto documenta 12 Kassel 2007 www.helloKassel.com.
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| Studio installation 2008 |
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| shoots, strips, ladders |
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| TTYL |
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| Tickle Bomb |
| Born 1979, USA. the artist lives and works in Brooklyn, NY, USA Kristine Taylor’s work addresses ruptures and unions along the interface of painting and sculpture through the lens of abstraction rooted in concepts and temporary structures. Her process originates in drawing as a way of dissecting structures and making “visual” gaps in perception and understanding. She pilfers awnings, nutty circus tents, structures found in leisure and war environments, for use in dramaturgical, often sexual, scenarios. Website: Kristine Taylor website |