ACADEMIC
Rensselaer Polytechnic Institute, Troy, NY.
Reed College, Portland. OR.

SELECTED
EXHIBITIONS
2006 The CCCA Gallery, Hudson, NY. Chatham Artists. Painting.
2005 The Summit Gallery, Chatham, NY. New Bonaire Studies.
2004 Weber Fine Art, Chatham, NY. Manhattan Transfer, curated by John Weber. Margin Drawings.
2003 Weber Fine Art, Chatham, NY. Monoprints, Margin Drawings.
2003 The Summit Gallery, Chatham, NY. Bonaire Studies.
2001 SPACE 36, Chatham, NY. Paintings, sculpture, monoprints and collage.
1998 Chateau Ape, Albany, NY. Window, video premiere.
1995 The Music Hall, RPI, Troy, NY. Wagner in Wyoming (A Disposable Epic), video premiere.
1994 The Kitchen, NY, NY; Bennington College, Bennington, VT; The College of Saint Rose, Albany, NY. Theatrical production of Anthony Braxton�s Composition #174, conducted by David Allen Miller with the Albany Symphony Orchestra for the Dogs of Desire project. Live and prepared video performance in collaboration with Lesley Wahl and Anthony Braxton.
1994 iEAR Studios, Darrin Communications Center, RPI, Troy, NY. Tropical Ape, video premiere.
1993 Sage Hall, College of Saint Rose, Albany NY. Immediate Music, collaboration with Paul Verhey.
1993 Albany Center Galleries, Albany, NY. Painting, sculpture, collage and drawing.
1991 Albany Repertory Theatre Gallery, Albany, NY. Paintings.
1989 Janet Kinghorn Bernhard Gallery, Skidmore College, Saratoga Springs, NY. Paintings.
1987 Lambert Nebel Gallery, Saratoga Springs, NY. Paintings.
1986 The Christine Price Gallery, Castleton College, VT. Color-ink drawings (Chess Series).
1986 Catamount Film & Arts Gallery, St. Johnsbury, VT. Paintings.
1986 The Christine Price Gallery, Castleton College, VT. Paintings and monoprints.
1980 The FOB Gallery, Reed College, Portland, OR. Paintings and drawings.

SELECTED
VIDEO
2006 Sous Les Pav�s, 27 minutes.
1998 Window, 20 minutes.
1995 Wagner in Wyoming (A Disposable Epic), 110 minutes.
1995 An Evening with Zena Perkins and Elliot Sharp, 56 minutes.
1994 Tropical Ape, 17 minutes.
1993 TB Dawn, 21 minutes.

SELECTED
AUDIO
2007 Demitasse Reload
2005 Dividing Iris
2005 Bise Mortu
2004 Passerelle
2003 Little Horse
2001 Distance
2000 Whatworld
1997 The Lather Dolls
1996 Several Cities
1995 Wagner in Wyoming
1993 Sleep
1991 Triscuit
1989 The Two Months of August
1986 While You Were Out
1985 Etch-a-Sketch
1982 If The Shadow Fits, Wear it
1978 Scht�nk, at the Rue Gibelin

Website: Mark K. Moffett, artist
Contact email: mark@moffko.com

Born in Coventry - UK 1985

A major concern of the current practice is how value might be placed on ‘artworks’. Works develop out of philosophical/metaphysical questions, such as the notion of nothingness. These issues are addressed though photography, film and text. When trying to write about nothing, I ultimately begin to define it, making it something. Attempts to make a photographic image of nothing render my incapability to do so, thus developing the paradoxical state that my practice works in. These processes in turn create ephemeral and evolving works, aiming to subvert the apparent model for and making art important. This aim is heavily influenced through researching the writing of former Art & Language member Terry Atkinson. Can I make apparent nothing important or valued? Every work is an attempt to understand my own scopophilic tendencies of why I need to make, photograph or film things. The works are the results of methodical processes documenting the concerns of each piece. The intention most often is to strip away the meaning of each image or sound to form an unimportant surface, which ironically may become valued as an artwork. This is where my own problematic relationship with aesthetic pleasure is embodied.

2003 - 2007 University of Leeds, B.A. Honours Contemporary Art Practice International: 1st
2005 - 2006 FAVU � Brno University of Technology � Czech Republic

2008 - Solo exhibition (THIS) Apparent Nothing. Chinese European Art Centre - Xiamen. June 2008

Website: Andrew Kelly
Contact email: andrewjpkelly@gmail.com

The work displayed, incorporates both traditional
fine art practices as well as the use digital media

Website: DuaneART
Contact email: d.mbailey@btinternet.com

Patrick Meagher

1973 New York

Lives and Works in New York

1999 M.L.A. Harvard University, Graduate School of Design, Cambridge

1995 B.F.A. in Sculpture, Carnegie Mellon University, Pittsburgh

1994 Guest Student, Kunstakademie D�sseldorf, Germany

Selected Solo Exhibitions

2004 Waterwall, Gallery Sonja Roesch, Houston

2003 Clear Cloud, Comme-ci, comme �a, Eifel, Germany

2002 Blandscape and Photage, Riva Gallery, New York

1999 Lscapes & Nosmos, Carpenter Center for the Visual Arts, Cambridge

Selected Group Exhibitions

2007 Future of Art, Science and Technology, Daejeon Museum of Art, Daejeon, Korea

Plastic, Cabinet des Estampes, Musee d’Art et d’Histoire, Geneva, Switzerland

2006 Test Patterns, Artscape Public Art , Bunting Gallery, Baltimore, MD

2005 We Could Have Invited Everyone, Andrew Kreps Gallery, New York

2003 Retrofit, Lombard Freid Gallery, New York

2002 Building Structures, P.S.1 MoMA, New York

View, Socrates Sculpture Park, LIC, New York

Out of Site, New Museum, New York & Henry Art Museum, Seattle

2001 Loop, P.S.1 MoMA, New York

Selected Residencies and Awards

2005 Eyebeam,Teaching-Artist-in-Residency, New York

2000 LMCC, Artist-In-Residence at the World Trade Center, New York

Patrick Meagher Artists Statement 2008
Architecture, technology and economics revolving around the internet at the turn of the millennium is the central theme in my artwork. Connected
by conceptual, visual and material points across a range of media and styles, my work explores transitions within the new economy concerning
globalization, informatization, and intercultural communication.

Employing digital tools on a conceptual basis throughout my studio process, I�m collaging and hybridizing utopian commercial aesthetics as
a visual language reflecting on the massive changes brought about by distributed media.

Currently I�m working on three ongoing suites corresponding to the three time phases of the millennial shift: �Postscript to Modernism�, �The
Desktop Revolution�, and �New Era Consciousness�- respectively revealing subtle cultural traces in Styrofoam electronics packaging forms,mapping the new global vocabulary of ecommerce web buttons, and intuiting and distilling local, state & municipal logos into 21st century symbols and analogs for fundamental psychological states heightened by emerging technologies.

Website: patrick meagher
Contact email: studio@pcm3.net