Born 1972, Germany the artist lives and works in Los Angeles, USA
Education:
1998-00 -Jan van Eyck Akademie Postgraduate Center for Fine Art, Design & Theory Maastricht NL
1996-97 -Exchange participant at the SVA (School of Visual Art)NYC
1993-98 -Gerrit Rietveld Academie Amsterdam NL
Grants/Awards:
2002-04 FvBK, Amsterdam,NL 2000-01 FvBK, Amsterdam,NL 1998-’00 Mondrian Stichting,NL
Exhibitions:
2003 Afterglow and still not dead…, Sushi in collab. with C.Hatton, San Diego
2002 Vincent Prize comic book reading room for Neo Rauch, Bonnefanten Museum of Contemp. Art, Maastricht,NL
El Cajon blvd, Palais de Beaux Arts, Brussels, B
Red walls, de Ateliers in collab. with C.Hatton, Amsterdam,NL
2001 Tier, Bonnefanten Museum of Contemp. Art, Maastricht,NL
Hriller-show, Bonnefanten Museum of Contemp. Art, Maastricht,NL
Screenings:
2002 Intermedium 2 Biennial, in collab. with german / frenchTV and Radio- stations, Karlsruhe,D
File Electronica, Lisabon,Portugal
Video Marathon at SCCA (Soros Center for Contemp. Art),Russia
2001 Hazelproject,The Lux,Pandaemonium Biennial of moving Images,London,GB
2000 …denn dort oben bist du zu Haus…,BüroFriedrich, Berlin,D
Publications:
2005 Elle magazine article, April,USA
2004 Flaunt magazine, November, Los Angles,USA
2003 Taka-Tuka-Land, Intermedium2- catalogue, Karlsruhe,D
Hriller-show, Bonnefanten Museum catalogue, Maastricht,NL
Early works, de Ateliers 1998-2002, Amsterdam,NL
2001 Tier, Issues12, Maastricht,NL
Hazelproject, Pandaemonium catalogue 2001, London,GB
Work out, Bommel van Dam catalogue of prizewinner 2001,Venlo,NL
Hazelproject, Reverberations for Trans-cultural Studies,Maastricht,NL
Sophie, Lorraine, Olivia & Rebecca, book project by Mirjam Kort, Maastricht,NL
Statement
My work is based off images that we have in overload. Such as advertisement received through the mail box, internet downloads of random things, cheap magazines etc.
Mediated imagery is important to me, because often times I can find a staged, uncomfortable awareness within either the actor, because he or she is aware of the camera. I focus on the artificiality within the pixelated and over saturated printout or other digital outputs.
I like giving life, personality or even importance to this overload of easy accessible imagery.
I am interested in showing a clash of cultures through creating a symbiotic relationship on the canvas between very americanized, mediated imagery and more romanticized pictures that remind me of the past or more deal with a juvenile recollection.
This ensemble of images on the canvas forms a narrative or an atmosphere that is rather surreal and very much deals with a frozen moment.
I like to break this stillness by creating the illusion of movement with my paint splatters. These splatters can also be seen as body fluids, or a natural disaster (storm like).
Painting skin that has gone through all this mediation and pixelation is very interesting for me. Black skin becomes a mixture of brown and pink paint tubes. It is a very unnatural look. In a way they are clearly a product.
Mixing nature with representations of humans has always been of great interest to me. I see a definite relationship between the two in terms of dealing with binaries such as naive and cultivated or dangerous and harmless…aware and unaware….etc There is a natural cycle that forms itself. One that deals with the more artificial world (sandwiches, architecture). These are the elements that are coming back in the toxic unnatural, more abstracted background. And those are juxtaposed to the elements that more talk of a natural environment.
Website: saatchi-gallery Contact email: mirjamafeni@hotmail.com |